" Authentic or fake? "

The risk to acquire a forgery is relatively high even for the experienced collector. It makes absolutely sense to specialise and to put main focuses on certain collective areas, to know genuineness criteria and forgery methods, to use advice by experts and media and, above all, to optimise the visual experience with objects of art.

To prepare new purchases it is essentially to pursue the market development. To get a favourable purchase it will be the best way to buy anticyclically instead of this, was just is in fashion.